Next from the “Monochromatic” Bundle.
• NaissanceE (2014): Limasse Five (= Mavros Sedeño) (near Paris, France) [5 hours]
Astounding! A masterpiece. Awe and disorientation. Pure symbolist architectural immersion, the poetics of dreamspace. Escher/Blade Runner/Brazil/Star Wars/House of Stairs/House of Leaves/Mandelbrot/Lovecraft et cetera et alia. You are neither welcome nor unwelcome here; just as mankind is neither welcome nor unwelcome in the universe. It worked on me at a deep level; it’s still ringing in my head. These hallways aren’t exactly my personal dream, but they’re close enough to resonate; this sort of light and shadow has real meaning for me, not just hypothetical meaning. Wonderfully sensitive and effective use of music, including tracks by noted experimentalist Pauline Oliveros (used with her approval). The game makes the best possible case for her music, I’d say. Just a spectacular overall impression.
(Is it uneven and arbitrary? Is the actual gameplay sometimes infuriating? Does it lack a proper ending? Yes, sure, all of that — so what?)
Remarkably enough, this game has been free since last fall. If you’ve got a Steam account and you have any interest in artsy games, you really ought to give it a look.
• Betrayer (2014): Blackpowder Games (Seattle, WA) [played for 2 hours]
Superficially a nice try: cold, crisp, otherworldly black-and-white with flashes of blood red. 1604, abandoned American colonial outposts. Wind in the grass, slow-loading muskets, the cawing of crows. Sounds like it could be a worthwhile dreamy-spooky experience. But the rest of the design is pure reflex and repetition — buy weapons, buy ammo, kill screeching skeletons (!), read scraps of paper, etc. etc. etc. Both the game and its big empty world are underrealized. I’m guessing this team of developers tried to go independent, started out ambitious, then ran out of time and money. That or they just didn’t have quite a full enough vision.
Oops, and I bought a new game. It was clearly a mandatory game, for me, and I decided it would be more satisfying to play it while it was still hot. People I know in real life are playing it right now; why not join the party, right? So I spent $14.99 + tax to buy:
• Baba Is You (2019): Hempuli Oy (= Arvi Teikari) (Helsinki, Finland) [41 hours]
Hats off, gentlemen! A fantastic game; an all-time game. It goes straight to my short list of greatest puzzle games, and that’s a list that matters to me. Those were 41 dense hours; this thing is jam-packed, and I am, I daresay, a strong puzzler. It’s incredible just how much of that time was been spent having the so-called “aha” experience — the thrill of transformative insight, prized by puzzlers. Immensely satisfying! Fluxx Sokoban is a nifty enough gimmick, but nifty enough gimmicks are literally a dime a dozen these days. Baba Is You distinguishes itself by the puzzles themselves, which are uniformly excellent and extremely numerous. There are tricks and surprises and meta-gimmicks and all that, but what really counts is that sense of of enthusiastic commitment to its own materials — the designer is genuinely interested in his system, and so has arranged for you to take a self-guided magical mystery tour of everything cool he found while exploring it. These puzzles are never here to prolong your playtime, which is to say to delay you from being done: they’re here to show you something that wants to be shown. They are etudes and this is a book of etudes.
I’ll allow myself some additional paragraphs here because I’m feeling so enthusiastic. The self-devouring logic of the puzzles has delightfully been carried over into the game structure, which might sound like an obvious design move but it really isn’t. Game design is generally myopic and obsessive about its pet forms; the value of rigid hierarchical concepts like “overworld map” and “hub worlds” and “bonus content” mostly goes unquestioned. Here those concepts are all gently tweaked into absurd Möbius loops. Is this screen a level or a map? Am I going up or down in the hierarchy? Are these normal levels or bonus levels, or does this whole group of levels constitute a bonus level, or what? What is the thing, or set of things, that I need to complete to get it to say that I completed something? It’s all deliberately been made screwy. Which is what this stuff deserves. Every artform needs to be always exploding a little bit, if it wants to stay alive. This had some real life in it; it is not rigid.
Computer entertainment, being an extension of animation, has more complete a freedom than any other medium I can think of: it can be truly anything. The breadth of genres demonstrates this capacity, but individual games rarely do — too many preconceptions running the show. Ideally, playing a new computer game should give a least a little of the feeling of experiencing some new slice of “TRULY ANYTHING,” some new discovery that was found floating through the universe of the human mind. This one did, god bless it!